Tag Archives: teaching with nonfiction

Orally rehearsing with key words can boost writing

Do your students struggle to compose sentences about nonfiction topics that make sense or sound right? Do they lack structure at the sentence and paragraph level? Here’s a few tricks I’ve been trying with small groups of late-early and transitional stage readers.

As part of a conversation generate key words they will use to orally rehearse and then write. I’ve started including a key word for the introductory sentence and the closing sentence as well. The “conversation” aspect of this is important. I position the students as writers with a clear audience. With late-early stage readers and the book Beetles by Edona Eckart, the students and I generated the words many kinds, glow, wings, colorful, interesting. I started the conversation by saying, “If we were going to write about what we learned, how would we start? Then what would we say?” (I don’t say, “Let’s list five words we will use.”) When a student shares a sentence aloud (after I coach or scaffold as needed), then I say, “What’s a key word from that sentence that we can write down to help us remember what we want to write?”

The photo below is from the lesson with the book Beetles. Each of these words would be used in a sentence to compose a response to the prompt What did you learn about beetles in this book?

With a transitional stage group reading The Future of Flight by Anna Harris (part of McGraw-Hill’s Wonders), the students had done a close reading of the two pages about the myCopters (small flying vehicles). The prompt for writing was “In a letter, convince someone in your family to buy a myCopter instead of a new car.” Our key words – included believe for an introductory sentence and please for a closing sentence. I started the conversation by saying, “If you are going to convince someone to buy a myCopter instead of a car, what do you want to say first?”

Then model for the students how you might use each key word to compose as sentence and draw them into orally rehearsing. So I said to the students, “Listen to me as I use these words to help me practice what I will write. I’m going to use the first word…There are many kinds of beetles. Who can compose a sentence with our second key word?”

As students practice using the key words, gently push them to use correct syntax or sentence structure. You might say, “That was tricky. Did that sound right? Let’s think about how we can make that sound right.” I had a student write “The weedy sea dragon has features that help it survive from predators.” I talked with him about how the sea dragon’s features help it avoid or escape predators and then together we revised his sentence aloud until he had the hang of it.

Ask them to practice with a partner. Students can alternate – composing sentences with every other word.

Encourage them to elaborate further (aloud) if they are ready. One student reading Beetles wanted to add details in the sentence with the key word “colorful” about the different colors of beetles. I told her “Go for it!” The key words are just triggers for remembering what they learned so if they can compose a more complex sentence or add additional sentences – yes! This also encourages students to make the writing their own and not just copy what other students are saying or writing.

With some students, after we rehearse, I ask for a thumbs up when they know what they are going to write for their first sentence. I ask each student to rehearse aloud and then I give them the “go” to start writing. Sometimes they will simply say what the student said before them – that’s okay. The writing becomes more their own the further they get in to it and the more frequently we engage them in doing this kind of guided writing, the risks they will take.

This works best in small groups. The lessons here were done as part of guided writing – which takes place after 1-2 guided reading lessons (20 minutes each) focused on reading and learning from the book.

If I’m working with a whole class, I use this approach to writing during individual conferences. I ask the student to tell me what they are going to write next. If they need me to, I jot down a few key words on a sticky note–from what they said.  Then, if I feel like they need additional kind of support,  I say, “How can we put this in a sentence? Let’s try this aloud.”

Hope this helps.

Sunday

 

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Discourage students from taking notes like this. Here’s why.

If students are reading multiple texts on a topic and taking notes on each of those sources, I require that (or strongly suggest) they write notes in phrases–just enough words to help them remember what they learned or what the author was saying or the student’s response to information. In most cases, I strongly encourage them to NOT write their notes in sentences.

Here’s why –

  1. If they write notes in sentences, the student may be easily tempted to just copy the sentences they are reading in a source and not do a lot of thinking. (How many of your students do this??????) Instead, we want them to think about what the author is trying to say or what they are learning from the source and then determine what is really important to remember. Then they can jot down a few of the author’s words or their own paraphrasing of the text.
  2. If they’ve already written sentences in their notes, they frequently just want to lift those sentences and insert them into their writing or presentation or whatever. Then they have missed an opportunity to combine details from multiple sources. When students are done taking notes from multiple sources, we want them to look across their notes and combine ideas from multiple sources. They have to be able to look at their notes and categorize details. Oh, all of these details are about what the raccoon eats! Or Yes! I see several details on how the Cherokee used their environment to create art. They may want to draw arrows between notes or circle details they want to combine with the same color of pencil. Conceptually, this is harder to do if they are looking across “sentences” versus words and phrases.

Here’s an example of what I mean by notes written in phrases (versus complete sentences)–

OKAY…I’M LEAVING OUT A LOT HERE like the fact that taking notes is a complex task. The students need to know their purpose for researching, reading, taking notes. They need clear questions they are trying to answer or grapple with as they read and take notes like How did this Native American tribe use resources in their environment to survive? or How did the members of the Jewish resistance exhibit courage during the Holocaust? or How can we be prepared for severe weather? They need a way to organize their notes like using an inquiry chart (Hoffman, 1992). See example below. (If you need more info on teaching with inquiry charts, see Chapter 8 in my book Close Reading of Informational Texts). AND they need examples of good texts to use as sources or access to a vetted set of sources before they go off to find their own. And, and, and…

Example of an inquiry chart…

Below is an example of a student’s inquiry chart. This fifth grade student was researching the Apache. Notice the questions across the top that drive her decisions about what to write in her notes. Her sources are listed on the left hand side. She’s circled details she wants to combine with a colored pencil.

The reason I wrote this blog entry is because I have an article in the February issue of EL “The Case for Multiple Texts” and on the sample inquiry chart I submitted, the editor changed my list of bulleted notes to look like sentences (although they are not all complete), deleting the bullets and adding capitalization and punctuation.  UGH.

Hesitate to do it this way. Many, many students will struggle when they go to synthesize and write or plan for presenting if they  have to look across a bunch of “sentences.” Many, many students will be tempted to just copy the sentences from their sources!

I did not get to see this change before it was published in EL. I’m sure this was an edit done with good intentions, BUT I feel the need to clarify. Encourage your students to take bulleted notes, short phrases or just enough information that they can look at it and remember what they learned.

I’d still recommend the article 😉 if you are looking for tips on teaching with multiple texts. I’m also working on a manuscript for Heinemann on this topic–the book should be released next winter.

Hope this helps.

S

 

 

 

Explode to Explain

Are your students citing “text evidence” without really having control of the meaning of the quote they choose? Do they state “in the text it says” and then fill in the next blank with a quote they may not really understand? Do they forget to explain further or elaborate?

Here’s an idea a group of teachers and I tried last week. After a lesson that provides time for the students to read and discuss the article, give them the luxury of time to contemplate what one quote from the text means – to explode the meaning of this quote in order to explain it further. One sentence in an informational text can be loaded with a lot of meaning – it’s worth the time for students to slow down and really think about what the author is talking about and the implications of what the author is saying.

For the first small group lesson (20 minutes), I introduced a NEWSELA article about the eco-boats that were hired to clean garbage from the Rio Bay in preparation for the Olympics. My introduction included defining and discussing the difference between garbage and sewage (important to understanding the article), previewing and making informed predictions about the content of the article, and then the students reading while I conferred with individuals.

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For the second lesson, we talked about one of the main ideas – “Water pollution is a problem in the Rio Bay” – written in purple ink in image below.  (Remember – this is just one of the main ideas in this article.) I shared a supporting quote from the article with them – written in blue ink on chart- and we worked our way through the details in that particular quote. In the image below, notice how I jotted what the students were thinking in red ink.

I modeled talking about what this quote means using the notes in red to help me explain my thinking. Then I asked a student to do the same. THEN I asked partners to turn and talk to do the same. My goal was for them to speak fluently about what they understand this quote to mean–and then be able to write about it.

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I closed this lesson by asking the students to explode an additional quote from the text that supports the main idea – “Tons of garbage and raw waste flow down rivers each day.” They wrote this quote in their response journals and attempted to explode.  I conferred heavily. They will continue to need support doing this for awhile.

For a day 3 lesson, we reviewed the notes on the quote we’d exploded together and engaged in a shared writing to explain that quote. See the image below. Then they returned to the quote they’d exploded, orally rehearsed with a partner what they planned to write and then wrote.

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Notes – I determined the main idea we’d use. I chose the two quotes. This is more about saving time and cognitive energy to get to the heart of what we needed to do–thinking through and explaining “text evidence.” Later the students can take on more of this. During these three lessons, this small group of students just began to get what we were talking about as far as explaining. They need to do this a LOT to get a grip on explaining the text evidence they are citing.

In the end, there’s a lot of power in this exercise–increased comprehension, increased content knowledge, and being able to speak and write more fluently (and knowledgeably) about what they’ve read.

A big thanks to the 3-5th grade teachers in the NKC School District who went on this day long journey with me and to RENEE for being my think partner!!!

Hope this helps.

S

Critical Thinking Across Multiple Texts – Choosing Texts Part 2

I’m hooked on the art of locating and layering texts for students to read and think across. In my last entry, I described a series of lessons where middle school students used an evolving definition of “honorable” to think critically about the role of medieval age warriors and modern warriors. We chose text excerpts and video clips from multiple sources, but in a very purposeful way.

Honorable anchor chart

When I choose multiple texts for close reading, I like to select texts that build on each other. I want students–when they go to read a second or third text–to say, “Oh, I recognize some of the information in this text from the last text I read…” or “Wait, this is new information…this expands my understanding.”

Below are the excerpts I selected on “knights” from a few library books I found and from sources on the Internet. Notice how in Text 1, the author provides some basic information about the young nobleman’s being a page, a squire and then a knight. In Text 2, the author provides more detail than the first. Thus the student can take what they learned from Text 1 and add to their learning with Text 2. This is an easy exercise to engage students in and reveal the power of reading across texts. I chose Text 3 (an excerpt from a longer book) because there is detailed content on particular aspects of the squire’s training – serious training and bodybuilding. The content in Text 3 expands the reader’s understanding of the squire’s training. Text 4 (a short video) extends the student’s understanding about the skill required to be a knight even further. By engaging in close reading and thinking across these four texts, the student can develop some depth in their understanding of an ability or an achievement of the knight that might be considered honorable. (FYI – The knights were not always honorable. I also located texts that described the Code of Chivalry and how the knights sometimes did not follow this Code.)

TEXT 1

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100 Things you should know about knights and castles (Walker, 2001, p. 16)

It took about 14 years of training to become a knight. The son of a noble joined a lord’s household at age seven. He learned how to ride, to shoot a bow and arrow, and how to behave in front of nobles. He then became a squire, where he learned how to fight with a sword, and he looked after his master’s armor and weapons. If he was successful, he became a knight at 21.

Text 2

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Knights: Fearsome Fighters (Hanel, 2008, p. 20-21)

A knight’s training started when he was young and lasted several years. Around the age of seven, a boy born of a knight or other high-class parents was sent away to live with his father’s master or a powerful relative. The young knight-in-training was considered a page. He ran errands, served food, and performed other duties for the nobleman and the woman of the manor. In exchange for his services, the page received a good education. He learned to read and write, play music, and observe good manners. His preparations for later fighting also started, as he was taught how to care for the horses and learned a little about weaponry and fighting techniques by watching others or practicing with supervision.

Around the age of 13, the page became a squire. Squires studied directly with a knight and received more rigorous training for knighthood. They learned how to use weapons and participated in mock battles. At the same time, they continued their servitude, helping the knight in various tasks, including cleaning weapons and taking care of the horses. Sometimes a squire rode into battle to attend and observe his knight.

Text 3

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Excerpt from Medieval Lives: Knight (Butterfield, 2009, p. 14-15)

Note: This book is written about a fictional English knight and in the present tense.

Becoming a Squire

When he is 14, the page’s parents watch their son receive a simple sword in a ceremony confirming him as a squire. He swears an oath of fealty, or loyalty, to the knight in whose household he lives. He is now expected to be that knight’s personal servant in battle.

Serious Training

The young knight-to-be now begins his training in earnest. He learns to aim his lance at the quintain, a wooden arm with a shield on one side and a heavy sack on the other. If he fails to hit the shield full-on, the sack will swing around and knock him on the back of the head! He also practices aiming his lance through metal rings hanging in trees.

He learns to ride superbly, controlling the horse with his knees and feet so that his hands are free to hold weapons. His saddle is shaped high in the front and back to help him stay on. He trains with two other squires and sometimes they have mock sword fights using wooden swords.

Bodybuilding

The squire works at building up his strength so he will be strong enough to wear heavy chain-mail armor and mount a horse while wearing it. He tries to make himself stronger using a well-known squire’s trick. He sews dirt into the pockets and hems of his clothing to make it heavier. He becomes good at vaulting over his horse while wearing chain mail, and he rides hard while hunting and leaping over ditches and hedges. He and the other squires are competitive and try to outdo each other in their knightly skills.

Text 4

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Short video at http://www.getty.edu/art/exhibitions/chivalry/ entitled “A Passion for Swords, Daggers and Medieval Manuscripts” about a manuscript called “The Flower of Battle” (written around 1410) that describes battle techniques of knights. There are images from the book (so primary source) as well as a trained Medieval martial arts master as the narrator. Students can learn the following:

  • There were specific techniques for combat
  • These techniques required skill and quick thinking
  • If you could not harm your opponent in three moves or less, you are probably equally matched and should back off.

Students can draw the following conclusions from the video clip:

  • Knights were skillful
  • Training to be a knight required critical thinking and a lot of practice
  • Training required a strong body and a strong mind

Yes. It takes time to build a text set like this, but it’s worth the reward when students begin to make clear connections between and across texts. Because I do this frequently, the process has become much faster and this is a text set I can use again and again. I believe that later when students go to do research on their own, having experiences with teacher-developed text sets will help them in determining which texts to use and in thinking across texts as well. A few tips for locating and layering texts:

  • have a clear focus for the texts (like the “stages of knighthood”)
  • collect a stack of library or other resource books, skim and scan for excerpts
  • google topics (but make sure whatever you choose is a credible source)
  • integrate video clips (museum sites are a good source for this) & primary sources
  • as you choose texts, think about how they build or expand content in the previous text
  • select SHORT texts…students have trouble retaining information and thinking about multiple texts when they are too long…maybe build towards longer excerpts later on…
  • be flexible – you may not find the “perfect” (in your mind) set, but students will surprise you in what they notice as they begin to think across texts that have been chosen with at least some thought.

Hope this helps.

Sunday

Check out these reading responses!

A few posts ago I wrote about shaking up how we ask students to write in response to texts–creating hall of fame posters, designing two-page layouts for trade books, and writing letters. One of my colleagues in the field, Britany, a fifth grade teacher, gave this a go! She asked students who’d read the book Plant Parts by Louise & Richard Stilsbury to write a letter from the root to the plant. See her prompt below.

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Plant letter prompt

Below are a few of the letters. What are the strengths I noticed in these letters? They are doing so much!!!!

  • The writers have a clear sense of purpose and audience with coherent reasoning.
  • The writers attempt to use domain specific vocabulary like fibrous root, root hair, nutrients, photosynthesis, minerals.
  • There are attempts at explaining the science they learned – especially in the first letter below where the student explains the job of the root hair.
  • There’s some humor–as though the student writer is having a good time. “I’m the big guy.” “Your sad friend.” “The smallest root hair with the biggest job.”
  • There are attempts at revising – check out the arrows and additional details that are attempts at adding depth.

KV Letter to a plant

C Plant letter

EG Plant letterMC Plant letterBased on my formative assessment of these responses, where would I head next with this group?

  • I’d locate and tackle another text on plants that somehow adds to this conversation between the plant and the root, that somehow deepens students’ understanding of plant systems.
  • I’d lead the students in a close reading of text excerpts that explain particular processes and engage the students in conversation about what they are learning–retelling what they learned and discussing their reasoning as to why this is important or why the explanation of this process is important to the author’s central message/main idea.
  • Some of the writing is list like–mostly listing reasons why the plant should keep the root.  I might share the first letter as a mentor text for “explaining” further and engage in shared writing of also explaining why a particular detail is important. For example, why is it important to the entire plant that the root grows deep? The shared writing might be an opportunity to work on syntax related to explaining these concepts in writing, in academic discourse.
  • I didn’t read this book, but I’d keep an eye on the facts. So it was funny when one student wrote, “All you do is just sit and act pretty,” but I’m thinking the flower part of the plant actually has a purpose and is also vital. Maybe I could introduce vocabulary like synergy or interdependence. (Sorry, Science Teachers. I need to study and find the right term!)
  • I’d build on the students’ strength as far as the humor and sense of purpose and voice revealed in the first set of letters by listing what they did well in these letters, proposing a follow-up letter, and adding to the list additional ways they can make their writing stronger. I might add an additional purpose for writing – perhaps drafts of a children’s book that can be shared with younger grade?

Okay. Hope this helps. A BIG THANK YOU to Britany for sharing!!!! I learned so much by thinking through what the students wrote!!!!

Sunday

Writing with Mentor Texts – App Reviews in Grades 6-8

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Is anybody else sick of the five-paragraph essay? The book Writing with Mentors (Marchetti & O’Dell, 2015) was so refreshing to read as I ponder how to keep students excited about reading and writing analytically. The authors provide insight into how we can engage students in writing for authentic purposes in a variety of non-five-paragraph essay formats that align with the Common Core Standards. The key is using authentic texts – book reviews, restaurant reviews, etc.–as mentor through throughout the entire writing process. While the book is geared towards 9-12 grade, the authors’ approach is very appropriate for middle school students. I was inspired to try out a lesson as a result. (Depending on your students, you might be able to pull this off in even lower grades!)

Okay…heads up. I tried this out with one 7th grade student–my daughter– but having taught middle school and demonstrated lessons in lots of middle school classrooms, I can make the case that there’s room for this series of lessons with entire classes and with students at all ability levels.

My daughter is seriously into technology and has started a YouTube account with the purpose of “reviewing” apps. Sound familiar? So I designed a series of lessons that included critically reading published app reviews and then writing a review. Based on what I learned, here’s a set of lesson procedures—that will take multiple periods and can easily be blown into a longer series of lessons as well.

  1. In preparation for teaching, develop a text set of published app reviews for students analyze. Marchetti & O’Dell encourage teachers to read authentic texts for themselves, determining which texts might be mentors and developing text sets. I hunted for good app reviews and quickly realized that app reviews have common types of details–purpose, explanations of how to use, benefits, analogies, even counterarguments! I chose several to read during the lessons. I’ve attached the App reviews and the links if you’re interested.
  2. Start with what the students know by engaging in a shared writing of what they would include in a review or expect to see in a review. Scan 336
  3. Closely read multiple reviews and annotate for the types of details authors include–together, with a partner, independently. Below is a copy of my daughter’s annotations — these were heavily scaffolded to start and then as she read additional reviews, she started recognizing the types of details we’d already discussed. Scan 338
  4. During the close reading, maintain a list of the types of details that might be included in an app review. This is the trick-we have to provide students with the academic vocabulary they need to explain what an author is doing. If you’ve read my previous blogs, you know I’m a big fan of living, breathing anchor charts. I’d make a list of the types of details we were noticing in the reviews on a big piece of chart paper for all students to reference as I gradually release responsibility. This is the list I made as I read and annotated with my daughter and then as she read independently. Scan 339
  5. Challenge students to “try out” some of the types of details in their own review of an app. (BTW- this assumes the students are familiar with or have chosen at least one app to review which may be another lesson or a homework assignment.) The responsibility for writing an app review may need to gradually released–you might write part of one together and the students finish with a partner and THEN they write their own. Below is the review that my daughter wrote–she is a fairly strong writer so I was able to release responsibility quickly. I required her to use a counterargument (a simple that addresses why users might argue against using this app) and she independently chose to include figurative language. There’s definitely room for growth (in revising, editing, etc.)–which also makes the case for asking students to write multiple reviews over a unit of study.

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Embellish Your Photos With Stunning Graphic Designs And Typography With Font Candy

Easy Tiger Apps is a developer known for creating photo editing based apps, such as Split Pic, Animal Face, and Moments, so it is no revelation that they have released another amazing editing app.

Font Candy is meant for adding graphic designs and typography to your photos in the form of quotes. When you first open the app, you see your photo library, but you can also swipe at the top of the page to get more photo options, such as importing from Facebook, Snapchat, Instagram, Tumblr, or simply the internet. Once you select a photo, you are able to scale it for Instagram, Facebook, or Twitter, and then decorate it with over 50 fonts.

Some might argue for a different app such as Pic Collage, because you can filter, blur, draw on and add text to your photos. However Font Candy still has many more capabilities. It is compatible with all photo collecting apps that exist on your phone, including less popular ones such as Boomerang and Flipagram while Pic Collage only carries Instagram, Facebook, and web searches. Creators of Font Candy were also able to zero in on one feature, fonts, carrying 84 free fonts, plus more available for purchase. Pic Collage has less than 40 fonts available.

Being a teenager in the twenty first century, pen and paper to me is like an air book mac to an elephant, i.e, of no use whatsoever. I can create art of all types on my phone, whether it is in video form or picture. But with smartphones dominating over the original flip phone, everyone can take a picture and Instagram it. However not everyone has the time and patience to turn their photos into quotable designs. So Font Candy offers an advantage to creative Instagrammers, to spice up photos with an abundance of fonts.

Hope this helps. If you try this out or have experienced similar lessons, please let me know how the lessons go!  AND BTW – this lesson experience opened my eyes to some easy ways to teach introduce counterarguments—more on this soon.

Sunday

 

Are your students tired of writing summaries and analytic essays?

I’m shaking up how students respond to informational texts. I’m experimenting with letters, Hall of Fame posters for a bulletin board in the classroom entitled “People Who Have Changed the World,” designing and writing content for a book entitled Did You Know, and classified ads. Regardless of the format, though, I’m still  REQUIRING students to tap and explain text evidence related to a main idea.

I tried this a few weeks ago with several groups of 4th and 5th grade students during small group guided writing lessons. (I was giving demo lessons–as a consultant in a school district.)  Here’s the routine I established for the series of lessons (4 lessons at about 20 minutes each):

  1. Lessons 1-2 closely read for a clear purpose 1-2 short informational texts and annotate or take notes. By short, I mean 1-3 pages of text. For example, one group of 4th grade students read two pages of text in their anthology on the work of public officials like city council members. The second text was a one page article from Scholastic News on Michigan Governor Rick Snyder’s plan for the water crisis in Flint, MI. Screen Shot 2016-02-26 at 8.49.07 AMScreen Shot 2016-02-26 at 8.49.07 AM                      The essential question was How do public officials accomplish things to help people? They took notes on a two-column chart.                               Screen Shot 2016-02-26 at 9.01.14 AM                                                                                During these two lessons, there were several opportunities for students to turn and talk to a partner about what they were learning–this is a very important bridge to writing!
  2. Lesson 3 – Start with 5-10 minutes of conversation. I asked the students to review their notes and turn and talk with a partner about what they’d learned about how public officials accomplish tasks. With this group, I noticed that they needed more support in talking in depth about this topic versus just listing what they learned off their notes. So I pulled the group back together and we had a “conversation” –this means no one raises their hands. We just talk and as needed I prompt students to ask each other for clarification, to ask for more details from a peer, or to build on what a peer said. As they did this, I took notes (based on what they were saying or my interpretation of their comments) on a small dry erase board – for the students to refer to as they talked (see image below).                                                            2016-02-04 15.15.15
  3. Lesson 3 – Set a purpose for writing and develop criteria – 5 minutes. For each format I explored with students, we developed criteria. For the hall of fame poster and the Did You Know book, I used a mentor text (that I found on the Internet) which I showed them on a small laptop (see below).  For the poster and the DId You Know tasks, I asked partners to collaborate.                                                                   Screen Shot 2016-02-26 at 12.08.31 PMScreen Shot 2016-02-26 at 12.08.42 PMScreen Shot 2016-02-26 at 12.08.58 PM                                                                         Below are examples of criteria we co-developed and referred to over and over again as the students wrote.                                                                                   2016-02-04 15.17.542016-02-02 10.16.33 2016-02-03 15.30.27For the 4th grade lesson with texts on public officials, the students had to write a letter to someone they think should run for public office and explain why – with reference to the texts they’d read. Notice that part of the criteria is the student must refer to the texts read–tying a main idea from the text into the letter as well as text evidence and an explanation.  For the hall of fame poster, we decided they would refer to text evidence and explain how the two historical figures (Gus Garcia and Frederick Douglass) in the top right hand corner of their poster. For the Did You Know two-page layout, they would refer to what they’d learned from texts in the text under the question and then integrate throughout the graphics, side bars, etc.
  4. Lesson 3 – Engage in shared writing – 5 minutes. Below is an example of shared writing with the students who read about public officials. I chunked this. So we picked a person to write a letter for together and then they picked their own person. We wrote an intro for our shared person letter and then they wrote one for their own person. We wrote about text evidence for our shared person letter and then they wrote about different evidence for their own person.                                                                                      2016-02-04 15.16.28
  5. Lesson 3 continued and then Lesson 4 – Students write independently (or with a partner) – 25 minutes at the writing table with me there to coach. Students continue writing their pieces – in particular, the part where they have to refer to the text and explain. These may not be completely done by the end of these lessons but I’m not worried about taking these all the way to publication. What’s important is that quality time at the table with me present to coach while they write for 25 minutes.
    They can finish independently and I can confer with them briefly about finalizing later.
    Below are examples of students’ drafted letters. Notice how they integrated information from two texts into their letters.                                                     Screen Shot 2016-02-26 at 12.16.20 PM                                                                                               (BTW – Mr. Taylor is the principal at that school! Another student wrote a letter to his mom and two chose friends they thought would be good public officials.)                                         For the letter below, the group of students read a text about Jane Addams and about Gus Garcia with an essential question regarding how these historical figures advocated for people. The author of this letter chose to write a thank you note to her teacher–thanking her for advocating for students and for teaching students to advocate for others – similar to Addams and Garcia.                                                                      Screen Shot 2016-02-26 at 12.18.57 PM                                                                                           There are all sorts of letters students can write – thank you, encouragement, inquiry, requests, etc.  One group read about how scientists collaborate and then they wrote a thank you note to a classmate who’d collaborated with them in some way (to build a bridge in science, to complete a math word problem, etc.). They had to include what they’d learned from two texts about the power of collaboration.    

If you’ve tried shaking up responses to informational text done at the guided writing table, I’d like to hear about it!!!

Hope this helps.

Sunday

 

 

What about using the language of text structure to help students compare texts?

Teaching the language of text structures can help students compare and contrast texts more easily.

I gave a lesson to a 5th/6th grade class a few weeks ago with two current event articles on drones. The first article “How can you get a bird’s eye view?” from Wonderopolis is written in an enumerative (or descriptive) text structure. There is the overarching topic of drones and then sub-topics that describe or explain different aspects of drones. The students did an initial read for the purposes of answering the questions, “What is a drone?” and “What are drones used for?” If you skip down to the image after next, you’ll see that I posted the questions for the students to consider during this initial read and then to discuss in pairs. I jotted down a couple of key words before they talked with a partner.

Then I posted the definition of a descriptive text (I thought “enumerative” might be too abstract).

descriptive text structure

After I posted the definition and explained briefly, we engaged in a 2nd read to identify the different sub-topics – putting a box around a word or phrases in each paragraph that identified the sub-topic. Below is an image of my copy of the article that was projected with the document camera. I modeled thinking aloud about how the first three paragraphs were an introduction and then I read aloud and thought aloud about how the fourth paragraph was focused on defining drones.

1st and 2nd read drones

I followed by introducing the 2nd article – “Drone Control” from Scholastic News. I asked the students to read the article and to think about any additional information they were learning that wasn’t in the first article. After they read and discussed this in small groups, I introduced the text structure for this article – problem-solution.

problem solution text structure

We did a 2nd read to identify details that revealed problems and solutions. Below is my copy of the article that was projected with the doc camera and that I marked on to model identifying problem and solution details before releasing responsibility to partners. Notice that the author doesn’t write a problem and then a solution. Instead there are multiple problems posed and more than one solution – this is a complex text!

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By highlighting the differences in structure, it was very easy to talk about the differences in content.

Grrrr… If you remember my last blog entry, I don’t believe that texts always have easily identifiable structures. Most of the time they don’t. (In that blog entry, I describe using a building analogy to help students understand simple and more complex text structures.) If I’d had the opportunity, I would have followed up this lesson with a third article “Invasion of the Drones” which I think at first glance has an enumerative structure–it lists several sub-topics related to drones. On a closer look, though, I think it would be helpful if students realized that each of the sub-topics is an EFFECT of drones, a circumstance (etc.) that is CAUSED by drones.  So at the micro-structure level (a part of a text within a larger text) there are causal relationship structures.

If students understand and can easily use words like text structure, descriptive, sub-topics, dimensions of a topic, problem-solution, author poses, causal relationships and so forth to describe the texts they are reading, they will more easily be able to compare and contrast content as well as remember that content and perhaps even think critically about it.

In other words, I’m not looking for students to say, “This is a problem-solution text structure.” I want students to be able to say, “When I was reading this, I noticed that the author poses several problems with drones like… and that he also poses solutions to some but not all of these problems like…” OR “When I was reading this, I noticed that the author describes several different dimensions of drones or sub-topics related to drones like…”

If you’re interested, I’ve attached a list of the text structures with “kid-friendly”-ish definitions that might be used on anchor charts. Explanation of Traditional Text Structures

I also explain text structures further in my book Unpacking the Complexity of Informational Texts, Chapter Four “What do we mean by a text’s structure?”

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Hope this helps.

S

4 Types of Context Clues in Info Texts: Bookmark & Lesson

Ugh! Unfamiliar vocabulary in informational texts can be a huge stumbling block for our students. The image below is a bookmark a colleague and I developed for a lesson. I’ve also attached a word document with the bookmarks for easy copying. We based this on the work of Baumann and colleagues (2009).

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4 Types of Context Clues Bookmarks IN COLOR

The lesson was with a group of fourth grade students reading an article from one of my favorite websites – Science News for Students. The article was about research studies that are revealing how females and males respond differently to sports-related concussion. This was a complex text – I actually cut one section of the article (the first part under the subtitle “Probing the Chemistry”) that I thought was too difficult for the students. The article was about a page and a half total. I’ve inserted the word doc below. You could definitely use this through 6th grade or higher even.

Context Clues Science News for Students article

I’ve attached lesson procedures here if you want to try this out.

Context Clue Type Lesson Procedures

Here’s what the lesson looked like for me:

  1. Introduced the article (posted on the doc camera) with previewing and predicting. We previewed the title and deck and made relevant predictions – I modeled some and I asked the students to turn and talk with a partner as well.
  2. Asked the students to determine the author’s main idea as they read individual copies of the article a first time. Conferred with individuals as they read. The first question for each conference was: What did you just learn from the text? This helped me determine where to go next.
  3. Regrouped and wrote key words from the text on a sticky note on the doc camera–females, males, concussion, depression, sensitivity. I modeled – with a student partner – using these key words to discuss the main idea. As the students summarized and discussed the main idea with a partner, I conferred and continued to add words to the sticky note as needed: reacted, response, differences, investigate.Context clue lesson 4th grade
  4. Introduced the 4 types of context clues with bookmark posted on the doc camera. Modeled thinking through the meaning of “concussion” and modeled boxing the word, underlining helpful clues, consulting the bookmark to determine what type of clue and then annotating the type of clue on the article.
  5. Guided students in following a similar routine with a second word — prone.
  6. Asked the students to identify a third word of their own and attempt to box, underlined, consult bookmark, and annotate. Conferred with individuals. Regrouped once and shared what one student had done as far as thinking and annotating on his copy of the article (placed his copy on the doc camera). Asked students to continue identifying and thinking through additional vocabulary. Below is a scan of my annotated article that I had on the doc camera–these are my notes by the end of the lesson. So I modeled, guided, and then stepped back in at particular points to highlight what students were doing with other words.  Context clues lesson 4th grade my notes
  7. Regrouped and asked the students to write a reflection on the process they engaged in to think about unfamiliar vocabulary. I provided a sentence stem – see image below.

Context clue lesson 4th grade 2

Context Clues lesson 4th grade reflections

This was a major workout. Many of the students flew–some used the bookmark and some didn’t. Of course, there were some students who did not progress and had little to show when I finally got to them. I really think this is the kind of lesson that should be done in a small group!!!! Either way – the students need more experiences discussing how they figured out the meaning of unfamiliar vocabulary and the types of clues the author used.

My objective for this lesson was not for students to say “I used context clues to figure out the meaning of the word.” Instead, I want to hear students say something like:

Well, I identified some words in the text that helped me understand this particular word. I knew the words might explain or identify the meaning of the word or the words might be synonymous or the words might just give me examples of this word. When I underlined the words and thought about the types of context clues, I realized I sort of knew the meaning from general details the author gave.

In the end, it’s not about whether the student identifies the “right clue.” Instead my goal is for the students to use the language of the context clues to explain how they made meaning.

Okay…I’ve also attached a chart with an explanation of the four context clue types and examples–as a reference.

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Four Context Clue Types Taught in Word Study Lessons

Hope this helps.

Sunday

 

The Coding Strategy – Helping Students Self-Monitor while Reading Info Text

Do you have students who read a text and are clueless about what they read? Or when you prompt them to share what they learned from a text, they frantically look back at the last sentence they read and then spit it out verbatim?

Before we get into conversations about main ideas, author’s point of view, summarizing content and so forth, we may want to provide time for students to grapple with questions like:

  • What did I understand or learn in this text (or section of text or even just this sentence)?
  • What did I not understand?
  • I didn’t understand this, so what can I do to figure it out?

I use the Coding Strategy (Hoyt, 2008) to introduce or reinforce self-monitoring with students. After each sentence or paragraph or section of text, students stop, think, and code the text with one of the following:

*I already knew this information.

+ This is new information.

? I don’t understand this part or I’m wondering about…

! Wow this is interesting and this is why I think so…

This is an image of the bookmark I give students. I’ve attached a PDF here.  CODING BOOKMARK 11_12_15

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Here’s an easy lesson procedure:

  1. Explain the skill and strategy. Self-monitoring means to keep track of what we are and are not understanding and then to use fix-up strategies to repair meaning. Then explain the strategy. When we code our thinking, this means we read, stop, think & jot a code and write a few notes.
  2. Model using the Coding Strategy to self-monitor. Read aloud from a text projected for all students to view and write aloud codes with notes about your thinking. When I introduce this strategy to students, I read aloud, think aloud, and write codes and notes – before the students did this on their own. See image below for a lesson I did with 5th grade students.  Screen Shot 2015-12-08 at 6.45.20 AM
  3. Direct students to read a chunk of text and stop to write a code with a few notes on a sticky note.
  4. Ask students to talk with a partner about what they learned from the text as well as their codes and notes.
  5. Proceed in a similar fashion with additional chunks of the text, coaching students during individual conferences, and providing time to stop and talk with a partner. Screen Shot 2015-12-08 at 6.53.29 AM
  6.  CLOSE – Students can end up with very fragmented thinking if they just code like crazy and don’t also think about how all of the details they are reading are related. During conferences and at the end, I pose questions that require synthesis like “So looking at all of your coded notes, what do you think the author’s purpose was for writing this text?” or “So what did you learn from reading the whole text that was important?” Ask the students to think across their coded notes. At the end, ask the students to place their notes in the middle of a sheet of paper and draw a frame around. Then ask them to write the main idea in the frame. For more information on the frame analogy for teaching main idea, see a recent blog entry I wrote.

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Caution!  Beware. Students will use all of your sticky notes, putting just a code on each, and then not be able to recall what they were thinking when they wrote that code. Make sure they jot a few words to help them remember what they were thinking at that point.

ALSO, when you model or confer with individuals, think aloud about parts of the text you did not understand (with a ? code) or that you might not understand if you were their age. Most students do not code for what they don’t understand – and need prompting to do that. I haven’t elaborated on this here – but you need to help them articulate what they can do to repair their meaning making. Have a list of strategies in your mental pocket for this.

If you want to read more about this including looking at sample lessons and a rubric for assessing students’ coding, check out Chapter 6 “Self-Monitoring While Reading” in my book Close Reading of Informational Texts or send your questions to me by email at sunday@sunday-cummins.com.

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Hope this helps.

Sunday