Tag Archives: teaching with informational texts

When kids ‘mumble read’ a word they don’t know… Part 1

A few weeks ago I was in a conference with a student reading a book about the sea lizard. When he came to a word he didn’t know, he mumbled the word and kept going. Do you have students that do this? These students are self-monitoring but they lack fix-up strategies. They know when they don’t know a word, but they do not know how to figure out that word.

When he finished the sentence, I asked him, “What was the tricky part?”  After he recovered from the shock of my question – because he’d been secretly hoping I wouldn’t notice his miscue–he pointed to the word burrow.

Then I said, “What can you do?” He was at a loss.

I could have started this conference differently, but these first two questions are super important. By asking him “What was the tricky part?” I am messaging that productive readers self-monitor for problems, for when meaning is breaking down. If the student says there was no tricky part, I ask him to read it again and usually he notices a tricky part or he may fix his error. (If he doesn’t…well, I have more to say about this in the next blog entry.) By then asking him, “What can you do?” I’m messaging that when we notice meaning breaking down, we need to do something.

When he didn’t know how to figure out the word, I prompted him, “Can you use your finger to cover up the ending? And think about the first part of that word?” He did this and read the chunk “fur.” Notice my finger has not been in his book yet. It’s better that I get him to do the work instead of me.

When I asked him about the second part of the word – row, he said he didn’t know that part. I realized he probably didn’t know what sound “ow” makes in that word. I also knew that he probably did know other words with “ow” so I wrote the word snow on a scratch piece of paper. (I did not write how 😉

“Do you know this word?” He responded by reading snow.

Then I asked, “Can you use this word to help you read the second part of that tricky word?” 

His eyes lit up. “ROW!”

“Now read those two parts together.”

“BURROW!”

I could have stopped there, but I believe after we help a student decode a word, we MUST ask them to reread the sentence it’s in and think about the meaning. So I said, “Let’s go back and reread the sentence with burrow and think about what it means.”  Then we reread and used context clues to figure out the meaning of the word.

I have never blogged on how to help students with decoding while reading informational texts, but this type of experience has been popping up in my practice a lot lately. Just thought I’d share.

Hope this helps.

 

 

 

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Orally rehearsing with key words can boost writing

Do your students struggle to compose sentences about nonfiction topics that make sense or sound right? Do they lack structure at the sentence and paragraph level? Here’s a few tricks I’ve been trying with small groups of late-early and transitional stage readers.

As part of a conversation generate key words they will use to orally rehearse and then write. I’ve started including a key word for the introductory sentence and the closing sentence as well. The “conversation” aspect of this is important. I position the students as writers with a clear audience. With late-early stage readers and the book Beetles by Edona Eckart, the students and I generated the words many kinds, glow, wings, colorful, interesting. I started the conversation by saying, “If we were going to write about what we learned, how would we start? Then what would we say?” (I don’t say, “Let’s list five words we will use.”) When a student shares a sentence aloud (after I coach or scaffold as needed), then I say, “What’s a key word from that sentence that we can write down to help us remember what we want to write?”

The photo below is from the lesson with the book Beetles. Each of these words would be used in a sentence to compose a response to the prompt What did you learn about beetles in this book?

With a transitional stage group reading The Future of Flight by Anna Harris (part of McGraw-Hill’s Wonders), the students had done a close reading of the two pages about the myCopters (small flying vehicles). The prompt for writing was “In a letter, convince someone in your family to buy a myCopter instead of a new car.” Our key words – included believe for an introductory sentence and please for a closing sentence. I started the conversation by saying, “If you are going to convince someone to buy a myCopter instead of a car, what do you want to say first?”

Then model for the students how you might use each key word to compose as sentence and draw them into orally rehearsing. So I said to the students, “Listen to me as I use these words to help me practice what I will write. I’m going to use the first word…There are many kinds of beetles. Who can compose a sentence with our second key word?”

As students practice using the key words, gently push them to use correct syntax or sentence structure. You might say, “That was tricky. Did that sound right? Let’s think about how we can make that sound right.” I had a student write “The weedy sea dragon has features that help it survive from predators.” I talked with him about how the sea dragon’s features help it avoid or escape predators and then together we revised his sentence aloud until he had the hang of it.

Ask them to practice with a partner. Students can alternate – composing sentences with every other word.

Encourage them to elaborate further (aloud) if they are ready. One student reading Beetles wanted to add details in the sentence with the key word “colorful” about the different colors of beetles. I told her “Go for it!” The key words are just triggers for remembering what they learned so if they can compose a more complex sentence or add additional sentences – yes! This also encourages students to make the writing their own and not just copy what other students are saying or writing.

With some students, after we rehearse, I ask for a thumbs up when they know what they are going to write for their first sentence. I ask each student to rehearse aloud and then I give them the “go” to start writing. Sometimes they will simply say what the student said before them – that’s okay. The writing becomes more their own the further they get in to it and the more frequently we engage them in doing this kind of guided writing, the risks they will take.

This works best in small groups. The lessons here were done as part of guided writing – which takes place after 1-2 guided reading lessons (20 minutes each) focused on reading and learning from the book.

If I’m working with a whole class, I use this approach to writing during individual conferences. I ask the student to tell me what they are going to write next. If they need me to, I jot down a few key words on a sticky note–from what they said.  Then, if I feel like they need additional kind of support,  I say, “How can we put this in a sentence? Let’s try this aloud.”

Hope this helps.

Sunday

 

Discourage students from taking notes like this. Here’s why.

If students are reading multiple texts on a topic and taking notes on each of those sources, I require that (or strongly suggest) they write notes in phrases–just enough words to help them remember what they learned or what the author was saying or the student’s response to information. In most cases, I strongly encourage them to NOT write their notes in sentences.

Here’s why –

  1. If they write notes in sentences, the student may be easily tempted to just copy the sentences they are reading in a source and not do a lot of thinking. (How many of your students do this??????) Instead, we want them to think about what the author is trying to say or what they are learning from the source and then determine what is really important to remember. Then they can jot down a few of the author’s words or their own paraphrasing of the text.
  2. If they’ve already written sentences in their notes, they frequently just want to lift those sentences and insert them into their writing or presentation or whatever. Then they have missed an opportunity to combine details from multiple sources. When students are done taking notes from multiple sources, we want them to look across their notes and combine ideas from multiple sources. They have to be able to look at their notes and categorize details. Oh, all of these details are about what the raccoon eats! Or Yes! I see several details on how the Cherokee used their environment to create art. They may want to draw arrows between notes or circle details they want to combine with the same color of pencil. Conceptually, this is harder to do if they are looking across “sentences” versus words and phrases.

Here’s an example of what I mean by notes written in phrases (versus complete sentences)–

OKAY…I’M LEAVING OUT A LOT HERE like the fact that taking notes is a complex task. The students need to know their purpose for researching, reading, taking notes. They need clear questions they are trying to answer or grapple with as they read and take notes like How did this Native American tribe use resources in their environment to survive? or How did the members of the Jewish resistance exhibit courage during the Holocaust? or How can we be prepared for severe weather? They need a way to organize their notes like using an inquiry chart (Hoffman, 1992). See example below. (If you need more info on teaching with inquiry charts, see Chapter 8 in my book Close Reading of Informational Texts). AND they need examples of good texts to use as sources or access to a vetted set of sources before they go off to find their own. And, and, and…

Example of an inquiry chart…

Below is an example of a student’s inquiry chart. This fifth grade student was researching the Apache. Notice the questions across the top that drive her decisions about what to write in her notes. Her sources are listed on the left hand side. She’s circled details she wants to combine with a colored pencil.

The reason I wrote this blog entry is because I have an article in the February issue of EL “The Case for Multiple Texts” and on the sample inquiry chart I submitted, the editor changed my list of bulleted notes to look like sentences (although they are not all complete), deleting the bullets and adding capitalization and punctuation.  UGH.

Hesitate to do it this way. Many, many students will struggle when they go to synthesize and write or plan for presenting if they  have to look across a bunch of “sentences.” Many, many students will be tempted to just copy the sentences from their sources!

I did not get to see this change before it was published in EL. I’m sure this was an edit done with good intentions, BUT I feel the need to clarify. Encourage your students to take bulleted notes, short phrases or just enough information that they can look at it and remember what they learned.

I’d still recommend the article 😉 if you are looking for tips on teaching with multiple texts. I’m also working on a manuscript for Heinemann on this topic–the book should be released next winter.

Hope this helps.

S

 

 

 

Think-pair-share can go awry. Yup.

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I’m a strong believer in students talking about what they’ve learned from informational texts. Good conversations about nonfiction have the potential to –

  • increase students’ understanding of texts,
  • help students clarify their thinking,
  • help students expand their understanding,
  • build bridges to stronger writing.

But a critical component is teacher support. Without teacher support, even our best students sometimes have low level, little-thinking-required conversations. Not conversations that build meaning and understanding of content.

More thoughts on what I’ve been working on in my own practice soon.

S

“I underlined all the words! They’re all important!”

When annotating, do your students underline most of what they’ve read because they think “it’s all important”? Maybe they’ve underlined that much because they don’t know how to determine what is important? Below are a few tips and photos from a demo lesson I gave to tackle this issue. And, yes, I used the pasta analogy 😉

The article for this lesson was about a village in Costa Rica that has chosen to raise and sell butterflies instead of clear cutting the rain forest. This movement started at a school with students taking the lead on the project before their parents and other community members became involved.

Tips

  1. I started by describing the reading strategy we would be using and introducing the pasta analogy. We are going to be reading an article very carefully and underlining key words and phrases that help us answer a particular question. You can read more about the pasta analogy in a previous blog. I use this analogy to help students understand that key words and phrases or “key details” are like pasta which we want to eat and the other words are like the water you boil the pasta in – which you don’t want to eat.Screen Shot 2015-11-12 at 7.11.41 AM
  2. Then I moved to activating (for some) and building (for others) prior knowledge by briefly discussing three photos related to the content of the article. I shared a map of the western hemisphere and pointed out where Costa Rica is in relation to the United States and then a photo of the rain forest in Costa Rica and a contrasting photo of what a rain forest looks like when clear cutting happens. There were no photos to support this in the article (I found all three online) and I felt like it was very important for students to understand where this takes place and this concept and how it influenced the village’s decision.img_7374
  3. Then I shared the purpose for reading which was posted on the front board and said something like: We are going to read an article about a village in Costa Rica that decides to NOT clear cut the rain forest. Butterflies help this community in some way. I engaged the students in reading the purpose posted on the front board. img_7369
  4. In the ideal world the students would read the article in advance of this lesson to get a basic idea of the content. This was not the case for this demo lesson. Instead I asked the students to spend a moment using the THIEVES strategy to preview and make informed predictions about what the text would be about.
  5. With the text projected, I modeled reading the first paragraph, then rereading to think aloud for them about key words and phrases – including thinking aloud about why these were important words or phrases. img_7372
  6. The students had pieces of blank paper folded into quarters and I drew four quadrants on the dry erase board. (When we don’t have copies of the text to mark on, this is an alternative.) I wrote the key words and phrases for the first paragraph as I thought aloud. The students caught on and started contributing words to the list. They also copied these words onto their papers. img_7373
  7. I stopped and modeled using my key word list to summarize aloud what I’d learned–I did this with a student partner who brought her notes to the front.
  8. The class and I did a shared think aloud for the 2nd paragraph and listed words together. We stopped and thought aloud about what we’d learned in both paragraphs – with a partner – using the key words we’d written. student-pasta-2
  9. I released responsibility to pairs for the 3rd and 4th paragraphs. They listed key words and stopped to summarize aloud with each other. Eventually, THESE NOTES CAN BE USED TO WRITE SUMMARIES OR HIGHER LEVEL THINKING RESPONSES TO THE TEXT.
  10. We wrapped up by discussing what we’d learned as well as the strategy of determining what is important.

The classroom teacher finished the next day by coaching the students in determining what was important for two more paragraphs. The text was an eight page article. That’s TOO LONG for this kind of reading and note taking. If you’re working with a text this long, I’d suggest jigsawing the following sections (after you’ve done one section together like we did)  – assigning small groups to read a section of a text (from one subtitle to the next) and determining key words. Then when they jigsaw, they have to share what they learned with their new group. Another option is to choose a shorter text OR because they’ve read carefully the first section, ask them to finish reading without listing key words. That careful reading of the first section should launch them towards better understanding.

Hope this helps.

S

Dear Accelerated Reader, It’s not fair.

Dear Accelerated Reader,

It’s not fair that you assign fewer points to nonfiction than fiction. For example, students who read The Hunger Games (GL 5.3) get a whopping 15 points, but students who read Titanic: Voices from the Disaster by Hopkinson (GL 7.4) receive a measly 7 points. Yes, Titanic is only 289 pages compared to The Hunger Games at 384 pages, BUT Titanic is a multi-layered, cognitively demanding text with intertwined narratives about multiple passengers, the sinking of the ship and the rescue as well as many many non-narrative sidebars including explanations of the engineering of the ship, comparisons to other ships, descriptions of the lifeboats, etc. and, on top of all of that, dozens of primary sources to interpret. It is also written at a higher Lexile level probably due to a lot of domain specific, challening vocabulary. And yet – you award Titanic LESS THAN HALF the points that students get for reading The Hunger Games.

Grrrr….

titanicScreen Shot 2016-08-22 at 11.24.11 AMhunger games

More examples? Marching for Freedom: Walk Together, Children, and Don’t You Grow Weary by Partridge (GL 6.6), winner of numerous awards, tells the story of the children who marched for voting rights in the 1960’s in Selma, Alabama. It has 62 pages of text, but it has a large format so each page of text equals about two pages in a typical fiction chapter book format. It’s a complex text in that the reader has to follow multiple narratives and grapple with complex issues like racism, social activism, and perseverance. The reader also has to understand the motives and work of organizations like the Student Nonviolence Coordinating Committee (SNCC) and the Southern Christian Leadership Conference (SCLC). And yet – you award it only 3 points!

marching for freedom

hive

On the science end of the reading spectrum, check out The Hive Detectives: Chronicle of a Honey Bee Catastrophe (GL 7.5). Only 59 pages but again with a large page format with twice the text on each page of what is in a typical chapter book. The author chronicles, describes, and explains colony collapse disorder. This is not a book for spring chicken readers. It’s difficult and demanding and yet amazingly rewarding as the reader walks away with knowledge critical to understanding an important issue in our world. Again-at a higher Lexile than The Hunger Games. And yet – you award it only 2 points!!!

UGH!!! Do you hear me moaning???

AR, I will give you a small, very small, bit of credit. Picture books geared towards the primary grades typically get .5 AR points regardless of whether the book is fiction or nonfiction. Just a little bit of credit.

Back to my point. I don’t know how you, Accelerated Reader, are assigning points, but I’m begging you to rejudge books like these and GIVE MORE POINTS!!! After all, we do want our students to read more nonfiction, correct? And IF we have to assign points (which I’m not a big fan of anyway), then let’s use this as an incentive to read more nonfiction, too? RIGHT?????

Teachers. AR may continue to fail us. In that case, would you double the points offered for a nonfiction book? Or maybe require so many books read in a particular genre versus assigning points? And if you already do, HOORAY!!! Thank you!!!!

Hope this helps.

Sunday

Critical Thinking Across Multiple Texts – Choosing Texts Part 2

I’m hooked on the art of locating and layering texts for students to read and think across. In my last entry, I described a series of lessons where middle school students used an evolving definition of “honorable” to think critically about the role of medieval age warriors and modern warriors. We chose text excerpts and video clips from multiple sources, but in a very purposeful way.

Honorable anchor chart

When I choose multiple texts for close reading, I like to select texts that build on each other. I want students–when they go to read a second or third text–to say, “Oh, I recognize some of the information in this text from the last text I read…” or “Wait, this is new information…this expands my understanding.”

Below are the excerpts I selected on “knights” from a few library books I found and from sources on the Internet. Notice how in Text 1, the author provides some basic information about the young nobleman’s being a page, a squire and then a knight. In Text 2, the author provides more detail than the first. Thus the student can take what they learned from Text 1 and add to their learning with Text 2. This is an easy exercise to engage students in and reveal the power of reading across texts. I chose Text 3 (an excerpt from a longer book) because there is detailed content on particular aspects of the squire’s training – serious training and bodybuilding. The content in Text 3 expands the reader’s understanding of the squire’s training. Text 4 (a short video) extends the student’s understanding about the skill required to be a knight even further. By engaging in close reading and thinking across these four texts, the student can develop some depth in their understanding of an ability or an achievement of the knight that might be considered honorable. (FYI – The knights were not always honorable. I also located texts that described the Code of Chivalry and how the knights sometimes did not follow this Code.)

TEXT 1

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100 Things you should know about knights and castles (Walker, 2001, p. 16)

It took about 14 years of training to become a knight. The son of a noble joined a lord’s household at age seven. He learned how to ride, to shoot a bow and arrow, and how to behave in front of nobles. He then became a squire, where he learned how to fight with a sword, and he looked after his master’s armor and weapons. If he was successful, he became a knight at 21.

Text 2

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Knights: Fearsome Fighters (Hanel, 2008, p. 20-21)

A knight’s training started when he was young and lasted several years. Around the age of seven, a boy born of a knight or other high-class parents was sent away to live with his father’s master or a powerful relative. The young knight-in-training was considered a page. He ran errands, served food, and performed other duties for the nobleman and the woman of the manor. In exchange for his services, the page received a good education. He learned to read and write, play music, and observe good manners. His preparations for later fighting also started, as he was taught how to care for the horses and learned a little about weaponry and fighting techniques by watching others or practicing with supervision.

Around the age of 13, the page became a squire. Squires studied directly with a knight and received more rigorous training for knighthood. They learned how to use weapons and participated in mock battles. At the same time, they continued their servitude, helping the knight in various tasks, including cleaning weapons and taking care of the horses. Sometimes a squire rode into battle to attend and observe his knight.

Text 3

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Excerpt from Medieval Lives: Knight (Butterfield, 2009, p. 14-15)

Note: This book is written about a fictional English knight and in the present tense.

Becoming a Squire

When he is 14, the page’s parents watch their son receive a simple sword in a ceremony confirming him as a squire. He swears an oath of fealty, or loyalty, to the knight in whose household he lives. He is now expected to be that knight’s personal servant in battle.

Serious Training

The young knight-to-be now begins his training in earnest. He learns to aim his lance at the quintain, a wooden arm with a shield on one side and a heavy sack on the other. If he fails to hit the shield full-on, the sack will swing around and knock him on the back of the head! He also practices aiming his lance through metal rings hanging in trees.

He learns to ride superbly, controlling the horse with his knees and feet so that his hands are free to hold weapons. His saddle is shaped high in the front and back to help him stay on. He trains with two other squires and sometimes they have mock sword fights using wooden swords.

Bodybuilding

The squire works at building up his strength so he will be strong enough to wear heavy chain-mail armor and mount a horse while wearing it. He tries to make himself stronger using a well-known squire’s trick. He sews dirt into the pockets and hems of his clothing to make it heavier. He becomes good at vaulting over his horse while wearing chain mail, and he rides hard while hunting and leaping over ditches and hedges. He and the other squires are competitive and try to outdo each other in their knightly skills.

Text 4

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Short video at http://www.getty.edu/art/exhibitions/chivalry/ entitled “A Passion for Swords, Daggers and Medieval Manuscripts” about a manuscript called “The Flower of Battle” (written around 1410) that describes battle techniques of knights. There are images from the book (so primary source) as well as a trained Medieval martial arts master as the narrator. Students can learn the following:

  • There were specific techniques for combat
  • These techniques required skill and quick thinking
  • If you could not harm your opponent in three moves or less, you are probably equally matched and should back off.

Students can draw the following conclusions from the video clip:

  • Knights were skillful
  • Training to be a knight required critical thinking and a lot of practice
  • Training required a strong body and a strong mind

Yes. It takes time to build a text set like this, but it’s worth the reward when students begin to make clear connections between and across texts. Because I do this frequently, the process has become much faster and this is a text set I can use again and again. I believe that later when students go to do research on their own, having experiences with teacher-developed text sets will help them in determining which texts to use and in thinking across texts as well. A few tips for locating and layering texts:

  • have a clear focus for the texts (like the “stages of knighthood”)
  • collect a stack of library or other resource books, skim and scan for excerpts
  • google topics (but make sure whatever you choose is a credible source)
  • integrate video clips (museum sites are a good source for this) & primary sources
  • as you choose texts, think about how they build or expand content in the previous text
  • select SHORT texts…students have trouble retaining information and thinking about multiple texts when they are too long…maybe build towards longer excerpts later on…
  • be flexible – you may not find the “perfect” (in your mind) set, but students will surprise you in what they notice as they begin to think across texts that have been chosen with at least some thought.

Hope this helps.

Sunday

Critical thinking across multiple texts – Part I

In a 7th grade social studies class I visited a few weeks ago, the students used an evolving definition of “honorable” as a lens for reading multiple texts on warriors – ancient and modern. In the image below, the blue text was our original definition. As the students engaged in discussions about what it means for ancient and modern day warriors to be honorable, we added to the definition. Our ultimate goal was to get at the complexity of what it means to be honorable. What are abilities, qualities, achievements that demand honor? What training or life experiences are necessary? What is the role of codes of conduct? Is it possible to be perfectly honorable 100% of the time? What is tricky about this? What are sacrifices involved in pursuing being honorable?

Honorable anchor chart

Here’s an outline of the lessons we gave:

  1. One day interviewing a veteran – The class interviewed a modern day warrior, a veteran who works at their school. The students were asked to fill out an anticipatory set in advance. This was a very powerful experience that would launch their thinking as we moved forward.
  2. Two days on knights – The teacher and I modeled and then encouraged individual and partner close reading of multiple passages on knights in the medieval period – training and code of ethics. modeled annotations knightsDuring this close reading, the students underlined and annotated information in response to the question, “What are you learning that might help you think about how this warrior is honorable?” We provided lots of opportunities for 2-3 minute student-led conversations around what students were thinking regarding “honorable” and the content they’d just read and regarding how they were adding to their thinking as they read each additional passage. I quickly modeled having a conversation with a student as my partner (referring to our notes & thinking about what a partner had said before responding). Below is one student’s annotated texts.Student 1 annotated notes
  3. Two days on the samurai – A similar routine. Knight and Samurai texts
  4. Two days on modern day warriors – the marines. Students visited http://www.marines.com/operating-forces/strategic-warrior – a website that describes marines as strategic warriors and then they also visited a site that discusses posttraumatic stress disorder and includes videos (primary sources) of veterans talking about their PTSD.Screen Shot 2016-06-03 at 6.44.55 AMScreen Shot 2016-06-03 at 6.58.11 AM
  5. Time to write in response to what they’d learned – Students were given a menu of options for responding – poetry, illustrating/creating art, writing a letter of appreciation to a veteran. In the future, we’re planning to encourage students to submit to http://www.teenink.com for publication.

Throughout all of these lessons, we continued to refer to the definition of “honorable” as a way to help students articulate what they were learning.

I LEARNED SO MUCH FROM THESE STUDENTS. In my next few blog entries, I’m going to write about what the students revealed in their annotations as well as how we determined which texts to use.

And a BIG THANK YOU to CHRIS, the classroom teacher who co-planned and taught with me!

Hope this helps.

Sunday

 

Check out these reading responses!

A few posts ago I wrote about shaking up how we ask students to write in response to texts–creating hall of fame posters, designing two-page layouts for trade books, and writing letters. One of my colleagues in the field, Britany, a fifth grade teacher, gave this a go! She asked students who’d read the book Plant Parts by Louise & Richard Stilsbury to write a letter from the root to the plant. See her prompt below.

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Plant letter prompt

Below are a few of the letters. What are the strengths I noticed in these letters? They are doing so much!!!!

  • The writers have a clear sense of purpose and audience with coherent reasoning.
  • The writers attempt to use domain specific vocabulary like fibrous root, root hair, nutrients, photosynthesis, minerals.
  • There are attempts at explaining the science they learned – especially in the first letter below where the student explains the job of the root hair.
  • There’s some humor–as though the student writer is having a good time. “I’m the big guy.” “Your sad friend.” “The smallest root hair with the biggest job.”
  • There are attempts at revising – check out the arrows and additional details that are attempts at adding depth.

KV Letter to a plant

C Plant letter

EG Plant letterMC Plant letterBased on my formative assessment of these responses, where would I head next with this group?

  • I’d locate and tackle another text on plants that somehow adds to this conversation between the plant and the root, that somehow deepens students’ understanding of plant systems.
  • I’d lead the students in a close reading of text excerpts that explain particular processes and engage the students in conversation about what they are learning–retelling what they learned and discussing their reasoning as to why this is important or why the explanation of this process is important to the author’s central message/main idea.
  • Some of the writing is list like–mostly listing reasons why the plant should keep the root.  I might share the first letter as a mentor text for “explaining” further and engage in shared writing of also explaining why a particular detail is important. For example, why is it important to the entire plant that the root grows deep? The shared writing might be an opportunity to work on syntax related to explaining these concepts in writing, in academic discourse.
  • I didn’t read this book, but I’d keep an eye on the facts. So it was funny when one student wrote, “All you do is just sit and act pretty,” but I’m thinking the flower part of the plant actually has a purpose and is also vital. Maybe I could introduce vocabulary like synergy or interdependence. (Sorry, Science Teachers. I need to study and find the right term!)
  • I’d build on the students’ strength as far as the humor and sense of purpose and voice revealed in the first set of letters by listing what they did well in these letters, proposing a follow-up letter, and adding to the list additional ways they can make their writing stronger. I might add an additional purpose for writing – perhaps drafts of a children’s book that can be shared with younger grade?

Okay. Hope this helps. A BIG THANK YOU to Britany for sharing!!!! I learned so much by thinking through what the students wrote!!!!

Sunday

Can your 6-8th grade students explain how two authors present the same info and reveal different points of view?

Here’s a lesson for teaching students to analyze how two authors writing about the same topic may shape their presentations of key information by emphasizing different evidence or advancing different interpretations of the facts (Common Core Standard 7.9).

  1. Go to Science News for Students and locate an article that cites a study. Most of these articles do cite studies. For example, the article “When smartphones go to school” by Kowalski cites a research study by Jeffrey Kuznekoff at Miami University Middletown. Screen Shot 2016-04-15 at 7.06.26 AM
  2. On the Internet, do a search for an article that cites the same study. I found “Take Note” when I searched for Kuznekoff’s study.
  3. Ask the students to read both texts and then jot their thoughts about each author’s point of view and discuss.
    In “Smartphones go to school,” while the author presents both sides of the issue (whether learning can happen via smartphones in the classroom), her presentation of the facts leans towards the argument that smartphones can be a distraction, dangerous and even addictive. Kowalski cites several studies and when she quotes Kuznekoff, she tends to quote him on the negative aspects of smartphones in the classroom. In “Take Note” the author explains Kuznekoff’s study in more detail and seems to be leaning towards the idea that teachers need to learn to work with technology like students’ smartphones and if they do, this can be beneficial.
  4. Closely read excerpts from the text that discuss the study. Close read for this purpose–How does the author shape her presentation or her message? Underline details and write in the margins. You might have to teach students language that identifies what the author is doing to shape their presentation of the information – you might have to introduce types of details like introduces study, explains study, presents counterargument, quotes an expert or researcher, shares negatives–benefits–disadvantages–positives–advantages, concludes with…, cites other studies, hypothesizes, draws conclusions. THIS IS THE MOST IMPORTANT PART –TEACHING STUDENTS to identify and name THESE TYPES OF DETAILS. I find that I have to model heavily when first teaching students how to do this!  This is my annotation of an excerpt from “When smartphones go to school”              Scan 347Scan 348 Here’s my annotated copy of “Take Notes”                           Scan 349Scan 350
  5. Coach students as they have conversations about the differences and similarities in the authors’ presentations of the same study.
    Here’s one 7th grade student’s notes about the article “When smartphones go to school” articles–gleaned from her annotations                  Scan 351                                                                            Here’s her notes about “Take Note” Scan 352
  6. Ask students to write in response.
    Below is the 7th grade student’s response. There’s definitely room for her to grow–but her initial attempt reveals an understanding of what I was trying to teach.

Science News
Carl Straumsheim, Take Note, June 8 2015, web page
Kathiann Kowalski, When Smartphones Go To School, March 3rd 2016, web page

I read two articles on separate websites, by different authors, about the same
study, conducted by professor Jeffrey H. Kuznekoff. He had 145 students watch a video
and then take a test on it. One group of students was able to text and tweet about
anything during the lesson, another could only text or tweet about class related things,
and a control group could not use their phones at all. As a result the control group and
the group that could use their phones for class related purposes scored a letter grade
higher than the group that could text and tweet about anything. I learned that phones
can be a distraction during class if not used specifically for learning purposes.

Though the two authors were writing about the same study, they had a very
different point of view. Kowalski briefly touched on the positives, and went into detail
about the negative aspects. Her view on the subject of smartphones in school seemed to
be generally negative. To support this view, she also used results from three different
studies, as well as quotes from three experts. Straumsheim focused on only the one
study, and went into great detail about not only how it was conducted, but also both
the negative and positive sides of the argument of phones in school. He seemed to be
saying that smartphones can have benefits in the classroom, if teachers learn to
integrate them in a positive way.

This takes a lot of work on our part–model, model, think aloud, engage in shared thinking aloud, create anchor charts with the types of details author’s use, do it again and again and again.

Hope this helps.

Sunday